Programme

School Presentation – MOME Animation

Screening Best of MOME

Lecturer: József Fülöp / MOME

Room: Auditorium

Case Studies 1. - Animated content and Media Market in East Europe

This lecture will concentrate on the stages of production till the broadcasting and some further more...

Discussing topics from the project development till the audience measurement rating. Short summary of film production but mainly focusing on the practical questions when the production is done p.e.: - stages of the program until screened on TV (presentation of a project (Cartoon Forum), markets (MIP), screening/choosing a project, signing contracts, possible marketing platforms, etc.)
- AMR audience measurement rating (What kind of animation is the most popular according to the AMR? Does popularity depend on the story or the type of animation etc.), feedback, other marketing points(p.e. DVD publishing, merchandising)

Talking about the change of media environment in the past few years, about the growing number of thematic TV channels. And also what kind of possibilities MINIMAX has as a cartoon channel to be involved in a film production?

Lecturer: Kati Radóczy / Chello Media

Room: A201

Creative workshop 1. - Content developing

The stages of story development for animated shorts, cartoon series and animated feature films. Creating film ideas from scratch to script. How to develop individual ideas and adaptations.

Lecturer: Rita Domonyi

Room: A201

Project Processing 1. – Content and animation techniques

Analyzing the production of an animated film through his own films. From the idea till the final form of the film, presenting the process of the development.

Lecturer: Géza M. Tóth

Room: A201

Case Studies 2. - International Co-production in East Europe - Feature films

1. Short presentation of the company - CINEMON
2. European coproductions legal and financial aspects.
3. Case study for entering into a European coproduction: Princess of the Sun feature film (completed 2007)(France-Belgium-Hungary) supported by European and National Funds.
4. Case study for initializing an International coproduction: King Salomon in development (Hungary-UK-Israel).

Lecturer: Réka Temple / Cinemon Entertainment

Studio Tour: Cinemon Entertainment
Venue: Cinemon Entertainment

Project Processing 2. - Storyboarding

Case Study – Series of Logjam and HUHU-Pole Hole

Presenting a story idea and its development into the movie. Finding right way of design/timing/animation style to fit to the given story. From SB to animation - how I do Sound effects and final film delivery.

Lecturer: Alexei Alexeev / Studio Baestarts

Room: A201

Creative workshop 2. - Content developing

The stages of story development for animated shorts, cartoon series and animated feature films. Creating film ideas from scratch to script. How to develop individual ideas and adaptations.

Lecturer: Rita Domonyi

Room: A201

Case Studies 3. - Hungarian and East European Animation Market

Hungary was one of the very first countries started animation production in the beginning of the 20th century. This was soon followed by others from Central- and Eastern-Europe after the 2nd World War the communist and the socialist government heavily supported film making industry including animation. Thanks to this during the last half century very strong animation industry with several talents, strong schools and lots of production have been developed in the region.
When the political system changed in the early 90s the film-industry fell apart, but the tradition and the roots remained strong in the cultural life. In the last decade a new generation started to grow up influenced by these traditions and they are becoming more and more important in the European animation and other countries try to help them too.

Lecturer: András Erkel / Studio Baestarts

Room: A201

Case Studies 3. – The District

Production of animated features in Hungary using alternative animation techniques.

Instructor: Áron Gauder

Room: A201

Project Processing 3. – Individual Way of Project Developing

The visual world and the music/SFX of an animated film. Connection between the sound and visuals. The importance and role of dialogues, narration or lack of narration. Development of an idea for an animated film from the sound point of view.

Lecturer: Tibor Bánoczky

Room: A201